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movie review

  • First Aired July, 2025 Film director John Ford was the king of the Westerns. Today on Have You Seen…? David Hast and Scott Vander Werf talk about My Darling Clementine, one of Ford’s greatest movies
  • Film director John Ford was the king of the Westerns. Today on Have You Seen…? David Hast and Scott Vander Werf talk about My Darling Clementine, one of Ford’s greatest movies
  • First Aired July, 2025 David Hast and Scott Vander Werf talk about the 1931 Dr. Jekyll and Mr. Hyde, starring Fredrick March
  • David Hast and WGVU’s Scott Vander Werf talk about the 1931 Dr. Jekyll and Mr. Hyde, starring Fredrick March
  • First Aired June, 2025 David Hast and WGVU’s Scott Vander Werf discuss Libeled Lady, a1936 screwball comedy that is both a whacky romance and a wisecracking newspaper comedy. It starred Jean Harlow, William Powell, Myrna Loy and Spencer Tracy
  • First Aired May, 2025 Pick Up on South Street is film noir that mixes crime and espionage. David Hast and WGVU’s Scott Vander Werf talk about this movie directed by Samuel Fuller, one of the most unconventional film makers in Hollywood history
  • Pick Up on South Street is film noir that mixes crime and espionage. David Hast and WGVU’s Scott Vander Werf talk about this movie directed by Samuel Fuller, one of the most unconventional film makers in Hollywood history
  • First Aired May 2025 Patricia Highsmith’s novel “The Talented Mr. Ripley” and its sequels have been adapted to the movies and TV. “Purple Noon,” the 1960 French version is critically acclaimed and David Hast and WGVU’s Scott Vander Werf talk about it on this episode of Have You Seen…?
  • Patricia Highsmith’s novel “The Talented Mr. Ripley” and its sequels have been adapted to the movies and TV. “Purple Noon,” the 1960 French version, is critically acclaimed. David Hast and WGVU’s Scott Vander Werf talk about it on this episode of Have You Seen…?
  • First Aired April, 2025 Diabolique is one of the greatest psychological thrillers on film. In this episode, David Hast and WGVU’s Scott Vander Werf talk about the movie and its influence in cinema