 
Jacob Ganz
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                        The third album from the Canadian noise pop purveyors feels like a conversation between clarity and cacophony, creating an exhilarating tension.
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                        NPR Music staffers convene to offer up the Kate Bush tracks we think deserve a powerful, paradigm-shifting sync in a television show or movie.
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                        At least 1 million people have died in the U.S. from COVID-19. NPR's Songs of Remembrance project shares some of their stories and the music they loved.
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                        Wet Leg, the year's breakout indie rock band, just released a debut album full of loopy, addictive songs that are as fun to talk about as they are to listen to.
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                        Tiny pleasures abound for parents and kids listening together, whether it's The Everly Brothers' "Wake Up Little Susie," Phoenix's "Tuttifrutti" or the Ghostbusters theme song.
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                        Whether you use it as a balm or an echo chamber for your despair, Ware's second album is a celebration of gloriously messy feelings, each tamed by her soft touch.
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                        After two solid albums, Too Bright is something shockingly new for Perfume Genius: a set of muscular, magnificently controlled songs that explore darkness inside and out.
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                        Highly emotional rock that reads as low-stakes at first, Lost in the Dream is evocative and pleasant if you let it float by in the background. But it's made with hooks that sink in deep.
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                        Call it diversity or a lack of consensus, but no single act dominated this year's awards. Instead, the Grammys spread the love, though rock bands — including The Black Keys and fun. — fared well.
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                        Adele won every category in which she was nominated, including Record, Album and Song of the Year, and performed for the first time in months.
 
 
 
 
 
 
 
 
 
