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  • Visual artist Carrie Mae Weems has been celebrated for her art and activism for decades, and now she can add a MacArthur "genius" grant to her collection. In a conversation with NPR's Michel Martin, Weems discusses life, love and turning 60.
  • A new CD and DVD box set, No Pryor Restraint: Life in Concert, showcases the searing, profane and moving performances of comedian Richard Pryor. Pryor's widow, Jennifer, says his genius lay in his honesty about his well-publicized troubles.
  • Actor and singer Matthew Morrison could watch Richard Donner's cult classic The Goonies a million times. "You know, it was kind of that adventure that every kid wants to have," he says.
  • Actor-director Katie Aselton could watch Kathryn Bigelow's Point Break a million times. "It totally scoops you up and takes you for a ride," she says.
  • A new exhibit in Berlin's Jewish Museum is intentionally provocative. The point, one curator says, is to "get people talking about how they perceive Jews, particularly in Germany today." At the center of the controversy is a display in which a Jewish person sits inside a glass showcase and answers questions from visitors.
  • Comedy writer Emily Spivey could watch the comedy 9 to 5 a million times. "It really showed me that women are just as hysterical and funny as men," she says.
  • Dandies are much more than just Yankee Doodle, and an exhibit this summer at the Rhode Island School of Design Museum celebrates these men at the cutting edge of fashion and design — from Beau Brummell to Mark Twain and beyond.
  • Writer-director Paul Feig could watch the James Bond film Casino Royale a million times. "Daniel Craig really embodies Ian Fleming's James Bond," he says.
  • Rapper Kanye West drops a new album next week. But a New York Times interview has left some people asking whether the self-proclaimed 'Louis Vuitton Don' is a musical genius, a bizarre narcissist, or a bit of both? Host Michel Martin checks-in with the Barbershop guys.
  • It's now possible to create an impressive copy of Michelangelo's David or Rodin's The Thinker with a 3-D printer. Rather than object, some museum curators see this high-tech replication as a way to bring near-real versions of classic works to the masses.
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