Tim Greiving
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When a film starts, "you have anywhere from two to 10 seconds to get the audience's attention," score writer Bear McCreary says. He gained this and other advice from his mentor, whom he met by chance.
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Alejandro Gonzalez Iñarritu's last film, Birdman, sparked Oscar controversy with its spare music. The Revenant features a swirl of sounds, anchored by the work of Japanese composer Ryuichi Sakamoto.
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Writing music for The Good Dinosaur was a seven-month journey for brothers Mychael and Jeff Danna, not all of it glamorous.
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The show's distinctive score is the work of Jeff Beal, who ushers viewers into its clandestine, manipulative and sometimes violent world by breaking a few musical rules.